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| Aus: "Sacrae Symphoniae 1597"
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| A1 Quis Est Iste, Motette Für 2 Fünfstimmige Chöre
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| A2 Sonata Pian E Forte, Für 2 Vierstimmige Chöre
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| A3 Maria Virgo, Motette Für 2 Fünfstimmige Chöre
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| A4 Sancta Maria, Sucurre Miseris, Motette Zu 7 Stimmen
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| B1 Magnificat "Praeter Rerum Seriem", Zu 6 Stimmen
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| B2 Alma Redemptoris Mater, Motette Zu 6 Stimmen
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| B3 Ave Maria, Motette Zu 5 Stimmen
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| Bass Vocals [Pro Cantione Antiqua] – David Thomas (9), Mark Brown (4), William Mason
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| Composed By – Giovanni Gabrieli (트랙: A1 to A4), Orlando Di Lasso* (트랙: B1 to B3)
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| Contrabass – Rudolf Schlegel
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| Cornett – Detlef Hagge, Ulrich Brandhoff
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| Countertenor Vocals [Pro Cantione Antiqua] – Geoffrey Mitchell, Keith Davis (2), Kevin Smith (11)
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| Dulcian [Bass & Tenor Pommer] – Hans Von Busch
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| Ensemble – Collegium Aureum (트랙: A1, B1), Hamburger Bläserkreis Für Alte Musik
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| Ensemble, Choir – Pro Cantione Antiqua, Tölzer Knabenchor (트랙: A1, A3)
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| Leader [Pro Cantione Antiqua] – Bruno Turner
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| Other [Design] – Point
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| Other [Technic] – Sonart, Mailand
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| Painting – Hans Mielich
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| Recording Supervisor – Dr. Thomas Gallia*
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| Sleeve Notes – Wolfgang Werner
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| Sleeve Notes [English Translation] – Jane Heller
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| Tenor Vocals [Pro Cantione Antiqua] – Ian Thompson (12), James Griffett, James Lewington
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| Trombone [Renaissance Trombone] – Eberhard Fiedler, Friedrich Held, Fritz Brodersen, Harald Strutz, Jann Engel, Walfried Kohlert
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| Viola – Heinz-Otto Graf (트랙: A2)
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